Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Musica Antigua, Eduardo Paniagua - Clérigo Ciego (Instrumental) [A. X El Sabio]
- Sequentia - Favus Distillans - Responsory to St. Ursula and the 11,000 virgins [H. von Bingen]
- Sequentia - O viridissima virga, Ave (Lied,Song) [H. von Bingen]
- Ensemble Céladon - Can l`erba fresch` [B. de Ventadorn]
- Musica Antigua, Eduardo Paniagua - La Imagen de Foggia de Apulia [A. X El Sabio]
- Anonymous 4 - Kyrie - Kyria christifera [Anonymous]
- The Newberry Consort - Owe dirre not [N. von Reuental]
- Sequentia - O clarissima mater (de sancta Maria) [H. von Bingen]
- Sequentia - Instrumentalstuck,Instrumental [H. von Bingen]
- Ensemble Cosmedin - Per tuam crucem. Miserere `Paris, after 1150` [Anonymous]
- La Reverdie - Qualis est dilectus tuus [John Forest]
- Ensemble Obsidienne - In splendoribus sanctorum [Anonymous]
- Sequentia - O frondens virga Gloria patri Ave generosa [H. von Bingen]
- Anonymous 4 - English Ladymass - 4. Motet - Lux polis refulgens Lux et gloria [Anonymous]
- The Dufay Collective, Vivien Ellis - Quen boa dona, CSM 160 (de loor) [A. X el Sabio]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ab joi et ab joven m`apais [C. de Dia]
- Ensemble für frühe Musik Augsburg - Clara sonent organa [Anonymous]
- La Reverdie - Ma douce amour [Johannes Simon Hasprois]
- Ensemble Gilles Binchois - J`aim sans penser (Medieval Bagpipe & Ensemble) [G. de Machaut]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ar me puesc ieu lauzar d`amor [P. Cardenal]
- Sequentia - Scene 4,Szene 4 - Que es, aut unde venis [H. von Bingen]
- Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer - Graff peters groÃe tagewyse, song [P. von Ahrberg]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Agnus Dei · Ave Maria (trope d`Agnus Dei) [Anonymous]
- The Dufay Collective, Vivien Ellis - Instrumental, CSM 37 [A. X el Sabio]
- Sequentia - Instrumental piece [H. von Bingen]
- Pierre Hamon - Tels rit au main (Medieval Recorder) [G. de Machaut]
- Aurora Surgit - Crucem Tuam (Antiphona) [Anonymous]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Nouvele amor qui si m`agree - Novel`amor que tant m`agreia [R. de Cambrai]
- Ensemble Unicorn - Quinte Estampie real [Anonymous, French 13th Century]
- The Early Music Consort of London, David Munrow - Cum statua [Philippe de Vitry]
- Studio der Fruhen Musik, Thomas Binkley - Loibere risen [W. von Rugen]
- Anima Mundi Consort - Ensemble Peregrina; Agnieszka BudziÅska-Bennett - Olla mortis patescit (moralizing song) [Henry of Finland (à bo Gradual, 14th-15th century & Piæ Cantiones
- Anima Mundi Consort - Work(s): In Pro [Anonymous, Italian]
- Capilla Antigua de Chinchilla, José Ferrero - Deus est ensi comme li pellicanz [T. de Champagne]
- James Bowman, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - 1. `Viderunt omnes` [Léonin]
- Stevie Wishart, Sinfonye - Palamento [Anonymous]
- Diferencias Ensemble - Hero del alta torre, for chorus [A. Lopez]
- Anonymous 4 - Sequence - O Maria virgo pia [Anonymous]
- Anonymous 4 - Montpellier Codex - Joliement - Quant Voi La Florete - Je Sui Joliete - Aptatur (Mo 34) [Anonymous]
- Ensemble Obsidienne - Cantiga 344 : Os que a Santa MarÃa [A. X de Castille]
- Anima Mundi Consort - Chominciamento di gioia [Anonymous, Italian]
- Anonymous 4 - Hymn: A Solis Ortus Cardine [Anonymous]
- La Reverdie - Marce Marcum imitaris [Anonymous]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Principo di Virtu [Anonymous]
- The Dufay Collective - Chominciamente Di Gioia: Istanpitta [Anonymous]
- James Bowman, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - 1. `Viderunt omnes` [Léonin]
- La Reverdie - Go hert [Richard Neville]
- Ensemble Cosmedin - Sicut cervus `St. Gallen, after 880` [Anonymous]
- Sequentia - O viriditas digiti dei [H. von Bingen]
- Diferencias Ensemble - Propter Veritatem, gradual [Anonymous]