Radio HearMe.fm - Medieval Period - Play history
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- Musica Antigua, Eduardo Paniagua - Las Piernas (Instrumental) [A. X El Sabio]
- Blondel - Le serviteur [J. Bedyngham]
- Anonymous - Offertoire - Ascendens Ihesus in montem [Anonymous]
- Ensemble für frühe Musik Augsburg - Congaudeant catholici [Anonymous]
- Anonymous 4 - Hymn - Ãe milde lomb isprad o rode [Anonymous]
- James Bowman, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - 1. `Viderunt omnes` [Léonin]
- La Reverdie - O tu chara sciença [G. Da Firenze]
- Musica Antigua, Eduardo Paniagua - El Papa León de Roma [A. X El Sabio]
- Ensemble für frühe Musik Augsburg - Non e gran cousa [Anonymous]
- Aurora Surgit - Cantemus Domino (Canticum) [Anonymous]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Stephani primi martiris (hymne) [Anonymous]
- The Dufay Collective - Trotto - Salterello (Italian 14th century) [Anonymous]
- The Early Music Consort of London, David Munrow - Impudenter circumivi [Philippe de Vitry]
- Anima Mundi Consort - Work(s): In Pro [Anonymous, Italian]
- The Early Music Consort of London, David Munrow - Locus iste [Leonin]
- Anonymous 4 - Kyrie - Kyria christifera [Anonymous]
- Ensemble Céladon - Lo clar temps vei brunezir [R. Jordan]
- The Dufay Collective - English Dance [Anonymous]
- The Dufay Collective - Estampie Real: La Seste [Anonymous]
- La Reverdie - Questa fanciulla Amor [Francesco Landini]
- Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer - Nach der Senenden [Wizlâv III von Rügen]
- Ensemble Obsidienne - Douce désirée [J. de Lescurel]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Nouvele amor qui si m`agree - Novel`amor que tant m`agreia [R. de Cambrai]
- Studio der Frühen Musik - Ondas do mar vido [Anonymous]
- Sequentia - Cum processit factura digiti Dei (Antiphon) [H. von Bingen]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Cum vox sanguinis (hymne) [Anonymous]
- Sequentia - Instrumental Piece based on the D - modes of Hildegard (Elizabeth Gaver) [H. von Bingen]
- The Early Music Consort of London, David Munrow - Lasse! comment oublieray [G. de Machaut]
- Blondel - Réveillez-vous Piccars (Arr. E. Gutteridge for Chamber Ensemble) [Anonymous]
- Ensemble für frühe Musik Augsburg - La tierche estampie royal [Anonymous]
- Sequentia - O quam magnum miraculum est [H. von Bingen]
- Sequentia - Finale - In principio [H. von Bingen]
- La Reverdie - Laude novella sia cantata [Anonymous]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istanpitta Gaetta [Anonymous]
- The Dufay Collective - La Manfredina / La Rotta Della Manfredina [Anonymous]
- Sequentia - Instrumental piece [H. von Bingen]
- Ensemble Unicorn - Quinte Estampie real [Anonymous, French 13th Century]
- Sequentia - Tant ai ame c`or me convient hair [C. de Bethune]
- Anonymous 4 - Carol: Ave Maria [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Meienzit [N. von Reuental]
- Ensemble Céladon - Reis glorios [G. de Bornelh]
- Anonymous 4 - Carol: Ther Is No Rose Of Swych Vertu [Anonymous]
- Sequentia - To Saint Maximus - Columba aspexit (sequence fol. 476r) [H. von Bingen]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Cantarai d`aqueszt trobadors [G. de Coincy]
- Hilliard Ensemble - Alleluia - Hic Est Vere Martir [Anonymous]
- Aurora Surgit - Vexilla Regis (Hymnus) [Anonymous]
- Freiburger Spielleyt - Codex Panciatichi: Io son un pellegrin [14th Century] [Anonymous]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ab la dolchor del temps novel [G. IX de Poitiers:]
- The Early Music Consort of London, David Munrow - Ida capillorum [H. Gilles de Pusiex]
- Diferencias Ensemble - Diferencias for organ [A. de Cabezón]