Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Musica Antigua, Eduardo Paniagua - El Obispo de Pavia [A. X El Sabio]
- Studio der Fruhen Musik, Thomas Binkley - De moi doleros vos chant [G. de Berneville]
- Sequentia - Comment que, pour l`eloignance [J. de Lescurel]
- Sequentia - Ovirga ac diadema purpurae regis (de sancta Maria) [H. von Bingen]
- Sequentia - O Jerusalem [H. von Bingen]
- The Early Music Consort of London, David Munrow - Pantheon abluitur [B. de Cluny]
- Jordi Savall & Hespèrion XX - Cuncti simus concanentes [Anonymous, Llibre Vermell de Montserrat]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Offerentur regi virgines (offertoire) [Anonymous]
- Sequentia - De la grant joie d`amours [J. de Lescurel]
- La Reverdie - Qualis est dilectus tuus [John Forest]
- Stevie Wishart, Sinfonye - Salterello (#2) [Anonymous]
- Diferencias Ensemble - Sancta et immaculata virginitas, for chorus [C. de Morales]
- Ensemble Perceval - Lo clar temps [R. Jordan]
- Ensemble Unicorn - Sei willekommen Herre Christ [Anonymous, German c.1394]
- Diferencias Ensemble - Benedictus [Anonymous]
- La Reverdie - Pantheon abluitur - Apollonis eclipsatur - Zodiacum signis lustrantibus [B. De Cluny]
- Ensemble Perceval - Chanterai por mon corage [G. de Dijon:]
- Sequentia - Symphonia,Symphonia - O quam magnum miraculum [H. von Bingen]
- Deller Consort - Sequence - Dies irae [Anonymous]
- Freiburger Spielleyt - Wer daz elent bawen wel, "Jacobston" [traditional]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Lamento de Tristano and Rotta [Anonymous]
- Anonymous 4 - Ave maria gracia plena [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - La Quarte Estampie Royal [Anonymous]
- Theatre Of Voices - Leonin - Propter veritatem [Anonymous]
- Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow - Lasse! comment oublieray [G. de Machaut]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ab l`alen tir vas me l`aire [C. de Bethune, P. Vidal]
- Musica Antigua, Eduardo Paniagua - Las Piernas (Instrumental) [A. X El Sabio]
- Anonymous 4 - Sequence - Stabat iuxta Christi crucem [Anonymous]
- The Dufay Collective, Vivien Ellis - Eno pouco e No. Muito, CSM 354 [A. X el Sabio]
- Ensemble für frühe Musik Augsburg - Ensemble Peregrina; Agnieszka BudziÅska-Bennett - Ave maris stella (instrumental) [Henry of Finland (à bo Gradual, 14th-15th century & Piæ C
- Ensemble für frühe Musik Augsburg - La tierche estampie royal [Anonymous]
- Theatre Of Voices, The Harp Consort - Ja pour yver [G. de Coincy]
- Jordi Savall & Hespèrion XX - Los Set gotxs recomptarem [Anonymous, Llibre Vermell de Montserrat]
- Anonymous 4 - Carol: Ecce Quod Natura [Anonymous]
- Studio der Frühen Musik - Aý deus se sab ora meu amigo [Anonymous]
- Blondel - O rosa bella, o dolze anima mia [J. Bedyngham]
- Theatre Of Voices - Perotin - Graduel - Viderunt omnes - Notum fecit Dominus [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Kalenda maia [R. de Vaqeiras]
- The Dufay Collective - Estampie Real: La Septime [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Wol mich des tages do mir alrest ist worden kunt [R. von Brennenberg]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Domna, pos vos ai chausida [Anonymous]
- The Dufay Collective - Salterello [Anonymous]
- The Early Music Consort of London - Fortz Chausa Es [Anonymous]
- The Newberry Consort - Owe dirre not [N. von Reuental]
- Sequentia - Symphonia,Symphonia - O felix anima [H. von Bingen]
- Sequentia - Scene 3,Szene 3 - Heu! Heu! nos virtutes plangamus [H. von Bingen]
- Baptiste Romain - Got in viel hohen vröuden saz (instrumental piece) [Meister Rumelant von Sachsen (2nd half of 13th c.)]
- The Early Music Consort of London - Fortz Chausa Es [Anonymous]
- Blondel - Belle, veulliés moy retenir [G. Dufay]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Isabella [Anonymous]