Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Discantus, Brigitte Lesne - Hortus Deliciarum - Kyrie · Magne Deus (trope de kyrie) [H. von Bingen]
- The Dufay Collective - Estampie Real: La Quarte [Anonymous]
- The Early Music Consort of London - Ahi! Amours [Anonymous]
- Hilliard Ensemble - Singularis Laudis Digna [Anonymous]
- The Early Music Consort of London, David Munrow - Gaude Maria Virgo [Leonin]
- Pierre Hamon - Tels rit au main (Medieval Recorder) [G. de Machaut]
- Ensemble Cosmedin - Exaudi nos, domine `Erfurt, 1301` [Anonymous]
- The Dufay Collective, Vivien Ellis - Quen boa dona, CSM 160 (de loor) [A. X el Sabio]
- The Early Music Consort of London - Fortz Chausa Es [Anonymous]
- Sequentia - Bele Doette as fenestres se siet (Chanson de Toile) [Anonymous]
- The Early Music Consort of London, David Munrow - Cum statua [Philippe de Vitry]
- Ensemble Cosmedin - Exaudi nos, domine `Erfurt, 1301` [Anonymous]
- Dufay Collective - Dance - Onmis caro [Anonymous]
- Sequentia - O Euchari, in leta via ambulasti (sequence fol. 476r) [H. von Bingen]
- Ensemble Cosmedin - Per tuam crucem. Miserere `Paris, after 1150` [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Saltarello [Anonymous]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ab joi et ab joven m`apais [C. de Dia]
- Sequentia - Comment que, pour l`eloignance [J. de Lescurel]
- Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer - Ich warne dich [Wizlâv III von Rügen]
- Anonymous 4 - Hymn - Ãe milde lomb isprad o rode [Anonymous]
- Diferencias Ensemble - Alta à 3 (Danza sobre La Spagna) [F. de la Torre]
- Anonymous 4 - English Ladymass - 3. Introit - Salve mater redemptoris - - Salve lux langentium - Sa [Anonymous]
- Aurora Surgit - Domine, Exaudi (Tractus) [Anonymous]
- Ensemble Perceval - Chanterai por mon corage [G. de Dijon:]
- La Reverdie - Edi beo thu, hevene quene [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - Can vei la lauzeta [B. de Ventadorn]
- Hilliard Ensemble - Tota Pulcra Es Amica Mea [Anonymous]
- Diferencias Ensemble - Sancta et immaculata virginitas, for chorus [C. de Morales]
- Sequentia - To Saint Maximus - Columba aspexit (sequence fol. 476r) [H. von Bingen]
- Sequentia - O mirum admirandum [H. von Bingen]
- Musica Antigua, Eduardo Paniagua - Clérigo Ciego (Instrumental) [A. X El Sabio]
- Diferencias Ensemble - Propter Veritatem, gradual [Anonymous]
- Sequentia - Instrumental [H. von Bingen]
- La Reverdie - Christus vincit [H. de Lantins]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Esperanza de totz ferms esperans [Martim Codax, G. d`Autpol]
- Ensemble Obsidienne - Doulz viaire gracieus [G. de Machaut]
- Anonymous 4 - Kyrie - Kyria christifera [Anonymous]
- Sequentia - Ovirga ac diadema purpurae regis (de sancta Maria) [H. von Bingen]
- Anonymous 4 - Ave maria gracia plena [Anonymous]
- Ensemble Obsidienne - Triste plaisir et douloureuse joye [G. Binchois]
- Sequentia - Rex noster promptus est - Responsory to the Innocent [H. von Bingen]
- Jordi Savall & Hespèrion XX - Ad Mortem Festinamus, virelai [Anonymous, Llibre Vermell de Montserrat]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Be`m degra de chantar tener [B. de Ventadorn, G. Riquier]
- La Reverdie - Questa fanciulla Amor [Codex Reina]
- Ensemble für frühe Musik Augsburg - Farai un vers pos mi sonelh [Anonymous]
- The Dufay Collective, Vivien Ellis - Quen quer que na Virgen fia, CSM 167 [A. X el Sabio]
- Studio der Frühen Musik - Anonymus - Tristor et cuncti tristantur [Anonymous]
- Sequentia - Finale - In principio [H. von Bingen]
- Munir Beken, August Denhard - Douce dame jolie
- Aurora Surgit - Cantemus Domino (Canticum) [Anonymous]