Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Studio der Frühen Musik - Pois preayz me, senhor [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - Des quando Deus sa madre [A. X el Sabio]
- Blondel - Tout par compas [B. Cordier]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ab joi et ab joven m`apais [C. de Dia]
- Munir Beken, August Denhard - Estampie Fragment [Robertsbridge Codex, c.1360]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Stephani primi martiris (hymne) [Anonymous]
- Ensemble Obsidienne - Puisqu`en oubli [G. de Machaut]
- Hilliard Ensemble - There Is No.Rose [Anonymous]
- The Early Music Consort of London - Fortz Chausa Es [Anonymous]
- Diferencias Ensemble - Hero del alta torre, for chorus [A. Lopez]
- Blondel - Tout par compas [B. Cordier]
- The Dufay Collective, Vivien Ellis - Quen boa dona, CSM 160 (de loor) [A. X el Sabio]
- Baptiste Romain - Got in viel hohen vröuden saz (instrumental piece) [Meister Rumelant von Sachsen (2nd half of 13th c.)]
- Studio der Fruhen Musik, Thomas Binkley - Unter der linden an der heide [W. von der Vogelweide]
- Ensemble Cosmedin - Per tuam crucem. Miserere `Paris, after 1150` [Anonymous]
- Munir Beken, August Denhard - Estampie Fragment [Robertsbridge Codex, c.1360]
- Blondel - Adiu, adiu, dous dame [F. Landini]
- Clemencic Consort - A l`entrada del temps clar (Anonyme fin XIIe siecle) [Anonymous]
- Anonymous 4 - Sequence - Salve virgo singularis [Anonymous]
- The Early Music Consort of London - Fortz Chausa Es [Anonymous]
- Blondel - De quan qu`on peut belle et bonne estrener [Anonymous]
- Hilliard Ensemble - Tota Pulcra Es Amica Mea [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Leu chansonet` e vil [G. de Bornelh]
- Sequentia - O felix apparitio [H. von Bingen]
- The Early Music Consort of London, David Munrow - Christe, qui lux es [G. de Machaut]
- Studio der Fruhen Musik, Thomas Binkley - Leu chansonet` e vil [G. de Bornelh]
- Ensemble Perceval - Chanterai por mon corage [G. de Dijon:]
- Ensemble Unicorn - Quinte Estampie real [Anonymous, French 13th Century]
- Ensemble Obsidienne - Doulz viaire gracieus [G. de Machaut]
- Ensemble Obsidienne - Cantiga 344 : Os que a Santa MarÃa [A. X de Castille]
- Stevie Wishart, Sinfonye - Salterello (#2) [Anonymous]
- Ensemble Céladon - Can l`erba fresch` [B. de Ventadorn]
- Capilla Antigua de Chinchilla, José Ferrero - Ja nuls homs pres [Richard I, Coeur-de-Lion]
- The Dufay Collective - Chominciamente Di Gioia: Istanpitta [Anonymous]
- Theatre Of Voices, The Harp Consort - Ja pour yver [G. de Coincy]
- Paul Elliott, Martyn Hill, The Early Music Consort Of London, David Munrow - Ars nova - Inter densas deserti [Anonymous]
- Diferencias Ensemble - Ecce virgo concipiet [C. de Morales]
- Sequentia - Instrumental piece [Anonymous]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Lamento de Tristano and Rotta [Anonymous]
- The Early Music Consort of London, David Munrow - Pantheon abluitur [B. de Cluny]
- Anima Mundi Consort - Chominciamento di gioia [Anonymous, Italian]
- Freiburger Spielleyt - Cantigas de Santa Maria: Santa Maria amar [Alfonso X El Sabio]
- Aurora Surgit - Surrexit Dominus Vere (Antiphona cum Psalmo Invitatorio 94) [Anonymous]
- Anonymous 4 - Sequence - Stond wel, moder, under roode [Anonymous]
- Diferencias Ensemble - Alta à 3 (Danza sobre La Spagna) [F. de la Torre]
- Diferencias Ensemble - Diferencias for organ [A. de Cabezón]
- Stevie Wishart, Sinfonye - La manfredina & la rotta [Anonymous]
- Ensemble Peregrina, Baptiste Romain, Kelly Landerkin, Hanna Järveläinen, Lorenza Donadini & Agnieszka BudziÅska-Bennett - Psallat fidelis concio (sequence) [København, Det Arna
- The Newberry Consort - Ich lobe ein wip [Tannhauser]
- Sequentia - Instrumental piece, Diex, quant la verrai, Instrumental Piece [J. de Lescurel]