
Radio HearMe.fm - Medieval Period - Play history
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- La Reverdie - Marce Marcum imitaris [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - Deus est ensi comme li pellicanz [T. de Champagne]
- Studio der Fruhen Musik, Thomas Binkley - Saltarello [Anonymous]
- The Early Music Consort of London, David Munrow - Gaude Maria Virgo [Leonin]
- Stevie Wishart, Sinfonye - Chominciamento di gioa [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - O que a Santa Maria - Cantiga [A. X el Sabio]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Lo freg temps [C.A. Fulton]
- Blondel - Belle, veulliés moy retenir [G. Dufay]
- Studio der Fruhen Musik, Thomas Binkley - Leu chansonet` e vil [G. de Bornelh]
- Sequentia - Instrumental piece [H. von Bingen]
- Anonymous 4 - Song: King [Anonymous]
- Sequentia - O viridissima virga, Ave (Lied,Song) [H. von Bingen]
- James Bowman, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - 1. `Viderunt omnes` [Léonin]
- Sequentia - Cum processit factura digiti Dei (Antiphon) [H. von Bingen]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Domna, pos vos ai chausida [Anonymous]
- Sequentia - Quia felix pueritia Magnificat Quia felix pueritia [H. von Bingen]
- The Early Music Consort of London, David Munrow - Cum statua [Philippe de Vitry]
- Studio der Fruhen Musik, Thomas Binkley - Loibere risen [W. von Rugen]
- Anonymous 4 - Non do la colp`a te [F. Landini]
- Jordi Savall & Hespèrion XX - Mariam Matrem Virginem [Anonymous, Llibre Vermell de Montserrat]
- Anonymous 4 - Sequence - O Maria virgo pia [Anonymous]
- Sequentia - Instrumental Piece based on the D - modes of Hildegard (Elizabeth Gaver) [H. von Bingen]
- Munir Beken, August Denhard - Estampie IV [Chansonnier du Roi, 13th Century]
- Sequentia - Ad veniam, perveniam, Clausula, tant grate chievre, que maugist, Clausula [Anonymous]
- Sequentia - O quam magnum miraculum est [H. von Bingen]
- Anonymous 4 - English Ladymass - 20. Rondellus - Flos regalis [Anonymous]
- Aurora Surgit - Improperia II [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Chanterai por mon coraige [G. de Dijon]
- Ensemble für frühe Musik Augsburg - Deus in adiutorium [Anonymous]
- Sequentia - Se li maus c`amours envoie [A. de la Hale]
- Sequentia - Instrumental piece II. [H. von Bingen]
- The Early Music Consort of London, David Munrow - O Philippe, Franci qui generis [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - Pange melos lacrimosum [Anonymous]
- Theatre Of Voices - Ensemble Peregrina; Agnieszka BudziÅska-Bennett - Iucundare iugiter (3-part song) [Henry of Finland (à bo Gradual, 14th-15th century & Piæ Cantiones 1582)]
- Theatre Of Voices - Resonemus hoc natali [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - La douce voiz du louseignol sauvage [Le Châtelain de Coucy]
- Paul Elliott, Rogers Covey-Crump, Martyn Hill, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - Viderunt omnes [Pérotin]
- Theatre Of Voices, The Harp Consort - Ja pour yver [G. de Coincy]
- The Dufay Collective - Chominciamente Di Gioia: Istanpitta [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - Can vei la lauzeta [B. de Ventadorn]
- Studio der Frühen Musik - Ondas do mar vido [Anonymous]
- Theatre Of Voices, The Harp Consort - Volez vous que je vous chant (Anonyme) [Anonymous]
- Baptiste Romain - Drømte mig en drøm i nat (instrumental piece) [Codex Runicus c. 1300]
- Anonymous - Hymne - Cives clestis patrie [Anonymous]
- Diferencias Ensemble - Alta à 3 (Danza sobre La Spagna) [F. de la Torre]
- Studio der Fruhen Musik, Thomas Binkley - Meie, din liehter schin [N. von Reuental]
- La Reverdie - Pantheon abluitur - Apollonis eclipsatur - Zodiacum signis lustrantibus [B. De Cluny]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Nouvele amor qui si m`agree - Novel`amor que tant m`agreia [R. de Cambrai]
- The Early Music Consort of London, David Munrow - Impudenter circumivi [Philippe de Vitry]
- The Early Music Consort of London, David Munrow - Pantheon abluitur [B. de Cluny]