Radio HearMe - Haydn
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Previously played:
- Antal Dorati, Philharmonia Hungarica - Symphony No.23 in G major, H.1/23 [F.J. Haydn]
- J-P Rampal, I. Stern, M. Rostropovich - Divertimento No.2 for Flute, Violin and Cello in G major, Hob.IV:7 [F.J. Haydn]
- Erwin Ramor, Jiri Gerlich, Zoltan Thirring, Bela Lorant, Philharmonia Hungarica, Antal Dorati - Symphony No.7 in C major `Le midi`, H.1/7 [F.J. Haydn]
- Marc-André Hamelin - Piano Sonata in G major, Hob XVI:6 [F.J. Haydn]
Information about Radio HearMe - Haydn
HearMe Haydn is concerned with the balance and clarity associated with Classical-era repertoire. Its musical focus includes orchestral writing, chamber music and the development of musical form. The channel gives listeners a named focus within classical music, while drawing attention to the way a piece can develop through proportion, contrast and expectation.
Smaller ensembles expose the conversation between individual instrumental parts, whereas orchestral performances allow the same interest in structure to operate on a broader scale. Wit and surprise are also characteristic qualities of the repertoire. Changes in emphasis or an unexpected turn can become part of the music's expression without requiring a heavy dramatic atmosphere.
Haydn's long association with the Esterhazy court is an important background to this repertoire. It gave him a setting in which to develop instrumental forms through repeated composition and performance. His musical humour can be heard in unexpected pauses, changes of emphasis and sudden dynamic contrasts; the familiar surprise in Symphony No. 94 is one illustration. Sacred writing adds another dimension to that profile, alongside the symphonies and quartets for which he is especially celebrated. The channel's subject thus connects formal invention with a wide expressive range, rather than reducing Haydn to graceful background music.
The service is a listening choice for those drawn to classical music's measured phrasing and active internal detail. Its identity rests on a particular musical language rather than on a uniform mood. A graceful opening, a lively passage and a more reflective movement can all fit within that coherent period-centred perspective.
- Broadcaster
- HearMe FM Limited
- Address
- Unit 18, Edgemark Novus Business Centre, Judson Road, Durham, SR8 2QJ, United Kingdom
- info@hearme.fm
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