Radio HearMe - Renaissance Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Chapelle du Roi, Alistair Dixon - Loquebantur variis linguis [T. Tallis]
- Julian Bream - Galliard [A. Holbrone]
- Roberta Invernizzi - Deh sì, deh no (Viols & Voice) [B. Tromboncino]
- Davitt Moroney - A Grounde, BK43 [W. Byrd]
- Joachim Held - Volte [Anonymous]
- Eduardo EguÌez featuring La Compagnia del Madgriale - Fantasia 21 [F. Canova]
- Chapelle du Roi, Alistair Dixon - Mass for Four Voices - Gloria [T. Tallis]
- Charivari Agreable & Stephen Taylor - Ye sacred muses (William Byrd, c.1540-1623) [T. Tallis]
- The Attaignant Consort - Ich habs gewagt [G. Forster]
- Doron-David Sherwin - L`Orlandina (Cornetto, Cello & Lute) [B. Marini]
- The Clerks Group - Missa "Mi-mi" (Missa quarti toni), for 4 voices - Benedictus [J. Ockeghem]
- Michal Gondko - Chorea Polonica, for lute (from the Dlugoraj Lute Book) [Anonymous]
- Nuria Real, José Miguel Moreno - O Gelosia d`amanti, for voice & vihuela [A. Mudarra]
- Ensemble Amarcord - Kyrie Incessament [P. de la Rue]
- Stile Antico - Veni, dilecte mi [O. de Lassus]
- Pro Arte Singers - Mass for 4 voices Gloria [W. Byrd]
- The Tallis Scholars - Missa Nasce la gioja mia - Credo [G.P. da Palestrina]
- The Clerks Group - Missa (sine nomine), for 5 voices - Credo [J. Ockeghem]
- The Tallis Scholars - Missa Benedicta es - Sanctus and Benedictus [G.P. da Palestrina]
- Rose Consort of Viols - La mi la sol, in 4 parts (playable by instruments) [H. Isaac]
- Rozmberska Kapela, Mario Mesany - Bergamasca [Anonymous]
- The Medieval Ensemble of London - J`ayme bien celui qui s`en va [G. Dufay]
- Nigel North - La Cancion del Emperador (Mille regretz) [L. De Narváez]
- The Clerks Group - Missa "Mi-mi" (Missa quarti toni), for 4 voices - Benedictus [J. Ockeghem]
- The Tallis Scholars - Missa Assumpta est Maria in caelum - Agnus Dei 1 and 2 [G.P. da Palestrina]
- Orlando Consort - Salve scema sanctitatis - Salve salus servulorum ... [J. Dowland]
- Shirley Rumsey - De Antequera sale el moro [M. de Fuenllana]
- Nuria Real, José Miguel Moreno - Romanesca (or Guardame las vacas), for vihuela [A. Mudarra]
- Munir Beken, August Denhard - Piva
- The Hilliard Ensemble - Canticum canticorum, Motets, book 4 - Duo ubera tua sicut duo hinnuli [G.P. da Palestrina]
- Música Temprana - En Ãvila mis ojos [Anonymous]
- Nuria Real, José Miguel Moreno - Quiente Hizo [E. Daza]
- Rozmberska Kapela, Mario Mesany - Bransle X [C. Gervaise]
- The Medieval Ensemble of London - Lamentatio sanctae matris ecclesiae constantinopolitanae [G. Dufay]
- The Hilliard Ensemble - Codex Specialnik - Sanctus Petite Camusette [Anonymous]
- The Hilliard Ensemble - Codex Specialnik - In natali domini [Anonymous]
- Ensemble Clement Janequin - Missa Pange Lingua Kyrie [J. Desprez]
- Ensemble Amarcord - Agnus Dei Incessament [P. de la Rue]
- Davitt Moroney - Pavana, BK52a (harpsichord RvN) [W. Byrd]
- Nuria Real, José Miguel Moreno - Diferencias de Conde Claros, for guitar [Anonymous]
- The Consort of Musicke, Anthony Rooley - A Musicall Banquet - VIII. Far From Triumphing Court [J. Dowland]
- The Medieval Ensemble of London - Ma belle dame souveraine [G. Dufay]
- The Medieval Ensemble of London - Se la face ay pale [G. Dufay]
- The Medieval Ensemble of London - Va t`en, mon cuer, jour et nuitie [G. Dufay]
- Pro Cantione Antiqua - Lute Songs, There Is A Lady [T. Ford]
- The Hilliard Ensemble - Canticum canticorum, Motets, book 4 - Sicut lilium inter spinas [G.P. da Palestrina]
- Ensemble Clement Janequin - Messe de l` Homme Arme Kyrie [P. de la Rue]
- Charivari Agreable - In nomine II [T. Tallis]
- The Tallis Scholars - Missa Benedicta es - Agnus Dei 1 and 2 [G.P. da Palestrina]
- Orlando Consort - Je ne vis onques [G. Binchois]