Radio HearMe - Renaissance Period - Play history
The times shown may differ slightly from the actual broadcast times.
- The Tallis Scholars - Missa Sicut lilium inter spinas - Kyrie [G.P. da Palestrina]
- Chapelle du Roi, Alistair Dixon - Salve Intemerata [T. Tallis]
- King`s Noyse - Susanne un Jour, for ensemble [Anonymous]
- The Renaissance Band, Piffaro - J`ay pris amours [J. Obrecht]
- Julian Bream - Pavan [A. Holbrone]
- Rozmberska Kapela, Mario Mesany - Bransle X [C. Gervaise]
- Delitiae Musicae, Marco Longhini - Ne tien face o saetta (part 2) [C. Gesualdo]
- Rose Consort of Viols - Doulce mémoire (from "Le Parangon") [P. Sandrin]
- The Medieval Ensemble of London - Je ne vis onques la pareille [G. Dufay]
- Davitt Moroney - A Voluntarie, for my Ladye Nevell, BK61 `second version` (harpsichord HB) [W. Byrd]
- Joachim Held - Bergamasco, For Lute [G. Battista Domenico]
- The Consort of Musicke, Anthony Rooley - Lachrimae - Mr. Nicholas Gryffith His Galiard [J. Dowland]
- Ensemble Clement Janequin - Messe La Bataille Credo [C. Janequin]
- Chapelle du Roi, Alistair Dixon - Loquebantur variis linguis [T. Tallis]
- Ensemble Phoenix Munich, Joel Frederiksen - London`s Lotterie [Anonymous, English]
- Orlando Consort - O Virgo prudentissima - Beata Mater [J. Desprez]
- Circa 1500 - Nutmiggs and Ginger (English Consort) [Anonymous, English]
- Pro Cantione Antiqua - Lute Songs, Fine Knacks For Ladies [J. Dowland]
- The Consort of Musicke, Anthony Rooley - Consort Music - Captain Piper`s Pavan And Galliard [J. Dowland]
- The Clerks Group - Missa "De plus en plus", for 4 voices - Agnus Dei [J. Ockeghem]
- Chapelle du Roi, Alistair Dixon - Mass Puer natus est nobis - Benedictus [T. Tallis]
- Andrew Benson-Wilson - Lesson - two parties in one [T. Tallis]
- Jakob Lindberg - The Flowers Of The Forest [Anonymous]
- The Attaignant Consort - La my [H. Isaac]
- Pro Cantione Antiqua - Lute Songs, Fine Knacks For Ladies [J. Dowland]
- The Medieval Ensemble of London - Dona gentile, bella come l`oro [G. Dufay]
- Stile Antico - Alleluia: Tota pulchra es [Anonymous]
- Orlando Consort - Je ne vis onques [G. Binchois]
- Chapelle du Roi, Alistair Dixon - Loquebantur variis linguis [T. Tallis]
- Chapelle du Roi, Alistair Dixon - Absterge Domine [T. Tallis]
- The Attaignant Consort, Kate Clark - Guretzsch [H. Isaac]
- The Medieval Ensemble of London - He, compaignons, resvelons nous [G. Dufay]
- Julian Bream Consort - Can She Excuse [J. Dowland]
- Eduardo EguÌez featuring La Compagnia del Madgriale - O felici occhi miei [J. Arcadelt]
- Davitt Moroney - Hugh Ashton`s Grownde, BK20 (muselar) [W. Byrd]
- Ensemble Clement Janequin - Reveillez vous chacun fidele [P. de l` Estocart]
- The Clerks Group - Requiem (Missa pro Defunctis), for 3-4 voices - Introit [J. Ockeghem]
- The Clerks Group - Missa prolationum, for 4 voices - Gloria [J. Ockeghem]
- Julian Bream - Galliard (on a galliard by Daniel Bacheler), for lute in C minor, P.28 [J. Dowland]
- Kate Clark - In Pace / Que vous madame [J. Desprez]
- The Attaignant Consort, Kate Clark - Fantasia [A. Ferrabosco]
- The Medieval Ensemble of London - Quel fronte signorille in paradiso [G. Dufay]
- The Tallis Scholars - Missa Brevis - Agnus Dei 1 and 2 [G.P. da Palestrina]
- The Hilliard Ensemble - Codex Specialnik - Tota pulchra es [J. Plummer]
- The Consort of Musicke, Anthony Rooley - Third Booke Of Songs 1603 - XVII. I Must Complain [J. Dowland]
- The Attaignant Consort - Doulce memoire [P. Sandrin]
- Munir Beken, August Denhard - La Spagna (arr. for oud and lute)
- Davitt Moroney - My Ladye Nevell`s Grownde, BK57 (harpsichord HB) [W. Byrd]
- The Medieval Ensemble of London - Belle, veullies moy retenir [G. Dufay]
- Aapo Hakkinen - Alman MB 117 (Italian Harpsichord Vito Trasuntino, 1575) [W. Byrd]