
Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Anonymous 4 - Carol: Ave Maria [Anonymous]
- Munir Beken, August Denhard - Estampie IV [Chansonnier du Roi, 13th Century]
- The Dufay Collective - Estampie Real: La Septime [Anonymous]
- Anonymous 4 - Sequence - Salve virgo singularis [Anonymous]
- La Reverdie - Ain graserin [Oswald von Wolkenstein]
- Stevie Wishart, Sinfonye - Salterello (#1) [Anonymous]
- Studio der Frühen Musik - Ondas do mar vido [Anonymous]
- La Reverdie - Qualis est dilectus tuus [John Forest]
- The Early Music Consort of London, David Munrow - Locus iste [Leonin]
- Anonymous 4 - English Ladymass - 6. Gloria [Anonymous]
- Ensemble Cosmedin - Christe qui lux es et dies `Milan, before 534` [Anonymous]
- Ensemble Céladon - Reis glorios [G. de Bornelh]
- Sequentia - Instrumentalstuck,Instrumental [H. von Bingen]
- Ensemble Perceval - Lan que li jor [Jaufre Rudel]
- Sequentia - De la grant joie d`amours [J. de Lescurel]
- Diferencias Ensemble - Hero del alta torre, for chorus [A. Lopez]
- Stevie Wishart, Sinfonye - Ensemble Peregrina; Agnieszka BudziÅska-Bennett - Olla mortis patescit (moralizing song) [Henry of Finland (à bo Gradual, 14th-15th century & Piæ Canti
- Stevie Wishart, Sinfonye - Tre Fontane [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Blozen wir den anger ligen sahen [N. von Reuental]
- Anonymous 4 - Song: King [Anonymous]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Kyrie · Magne Deus (trope de kyrie) [H. von Bingen]
- La Reverdie - S` i`, monocordo gentil [D. Da Firenze]
- Sequentia - O dulcissime amator - Symphonia of the virgins [H. von Bingen]
- Diferencias Ensemble - Diferencias for organ [A. de Cabezón]
- Anonymous 4 - Sequence - O Maria virgo pia [Anonymous]
- La Reverdie - Ain graserin [Oswald von Wolkenstein]
- Ensemble Céladon - Tan mâabelis [B. de Palazol]
- La Reverdie - Christus vincit [H. de Lantins]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Lo freg temps [C.A. Fulton]
- Anima Mundi Consort - Ghaetta (An Istampita) (14th cent.) [Anonymous, Italian]
- The Dufay Collective - La uitime estampie real (French 13th century) [Anonymous]
- The Dufay Collective - Estampie Real: La Quarte [Anonymous]
- Studio der Frühen Musik - Anonymus - Tristor et cuncti tristantur [Anonymous]
- Anne Azema, Kit Higginson, Shira Kammen, Margriet Tindemans - Ar levatz sus, francha corteza gens! [P. Espanhol]
- Ensemble für frühe Musik Augsburg - Non e gran cousa [Anonymous]
- Stevie Wishart, Sinfonye - Salterello (#1) [Anonymous]
- Sequentia - Scene 3,Szene 3 - Heu! Heu! nos virtutes plangamus [H. von Bingen]
- The Dufay Collective, Vivien Ellis - Quen quer que na Virgen fia, CSM 167 [A. X el Sabio]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Tant ai mo cor ple de joya [B. de Ventadorn]
- Sequentia - Quia felix pueritia Magnificat Quia felix pueritia [H. von Bingen]
- The Dufay Collective - Bailemos nos ja todas tres [Anonymous]
- La Reverdie - Amis tout dous [Pierre des Molins]
- Anne Azema, Kit Higginson, Shira Kammen, Margriet Tindemans - Ar levatz sus, francha corteza gens! [P. Espanhol]
- Capilla Antigua de Chinchilla, José Ferrero - Dance of the Forest of No Return, estampies (3) for instrumental consort (after anonymous 13-century English dance melodies): Stantip
- Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer - De Unghelarde heft ghemaket ene senende wise, song [Wizlâv III von Rügen]
- Ensemble Unicorn - Urbs beata lerusalem [Guillaume Dufay (1400-1474)]
- The Early Music Consort of London - La Uitime Estampie Real [Anonymous]
- Anonymous 4 - English Ladymass - 5. Kyrie - Kyria christifera [Anonymous]
- Baptiste Romain - Got in viel hohen vröuden saz (instrumental piece) [Meister Rumelant von Sachsen (2nd half of 13th c.)]
- Blondel - Le serviteur [J. Bedyngham]