Radio HearMe.fm - Medieval Period - Play history
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- Aurora Surgit - Crucem Tuam (Antiphona) [Anonymous]
- The Early Music Consort of London - Je Ne Puis - Amors Me Tienent - Veritatem [Anonymous]
- Studio der Frühen Musik - Faidit - Fortz chausa es que tot lo major dan [Anonymous]
- Anonymous 4 - English Ladymass - 6. Gloria [Anonymous]
- Atrium Musicae - Codex Gluteo - Introitus, Obstinato I - Organa, Codex Gluteo [Anonymous]
- La Reverdie - Acunt vont / Amor qui cor / Kyrie [Anonymous]
- Blondel - Les tres doulx ieux du viaire ma dame [G. Binchois]
- Anonymous 4 - Montpellier Codex - Joliement - Quant Voi La Florete - Je Sui Joliete - Aptatur (Mo 34) [Anonymous]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Sanctus · Phos, patris karitatis (trope de Sanctus) [Anonymous]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Belicha [Anonymous]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Ar me puesc ieu lauzar d`amor [P. Cardenal]
- Aurora Surgit - Crucem Tuam (Antiphona) [Anonymous]
- Studio der Frühen Musik - Ondas do mar vido [Anonymous]
- Ensemble Obsidienne - De gracieuse dame amer [J. de Lescurel]
- Clemencic Consort - A l`entrada del temps clar (Anonyme fin XIIe siecle) [Anonymous]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Lancan vei la folha [B. de Ventadorn]
- Anonymous 4 - Ave nobilis venerabilis [Anonymous]
- James Bowman, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - 1. `Viderunt omnes` [Léonin]
- The Early Music Consort of London - Chanterai Por Mon Corage [Anonymous]
- Diferencias Ensemble - Propter Veritatem, gradual [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Mir hat her Gerhart Atze ein pfert [W. von der Vogelweide]
- Blondel - Belle, veulliés moy retenir [G. Dufay]
- Anonymous 4 - English Ladymass - 5. Kyrie - Kyria christifera [Anonymous]
- Anonymous - Offertoire - Ascendens Ihesus in montem [Anonymous]
- Aurora Surgit - Exsultemus et Laetemur (Cantus Responsorialis) [Anonymous]
- Sequentia - Finale - In principio [H. von Bingen]
- Pierre Hamon - Je vivroie liement (Medieval Bagpipe & Percussions) [G. de Machaut]
- The Dufay Collective - Bailemos nos ja todas tres [Anonymous]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Saltarello [Anonymous]
- Paul Elliott, Rogers Covey-Crump, Martyn Hill, The Early Music Consort Of London, David Munrow - Music of the Gothic Era - Notre Dame Period - Viderunt omnes [Pérotin]
- Clemencic Consort - Deduc Syon uberrimas [Anonymous]
- Stevie Wishart, Sinfonye - Chominciamento di gioa [Anonymous]
- Anonymous 4 - Godi Firenze [Paolo da Firenze (1390-1425)]
- Ensemble Unicorn - Sei willekommen Herre Christ [Anonymous, German c.1394]
- Sequentia - Ave Maria, O auctrix vite (Responsorium) [H. von Bingen]
- Capilla Antigua de Chinchilla, José Ferrero - La douce voiz du louseignol sauvage [Le Châtelain de Coucy]
- Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer - Ich warne dich [Wizlâv III von Rügen]
- Anonymous 4 - Montpellier Codex - Au Cuer Ai Un Mal - Ja Ne M`en Repentirai - Jolietement (Mo 260) [Anonymous]
- Ensemble Obsidienne - De tout flors [G. de Machaut]
- Studio der Fruhen Musik, Thomas Binkley - Biaus m`est estez [G. Brule]
- Studio der Fruhen Musik, Thomas Binkley - Biaus m`est estez [G. Brule]
- The Dufay Collective, Vivien Ellis - Quen quer que na Virgen fia, CSM 167 [A. X el Sabio]
- The Dufay Collective, Vivien Ellis - Quen quer que na Virgen fia, CSM 167 [A. X el Sabio]
- Munir Beken, August Denhard - Douce dame jolie
- The Early Music Consort of London, David Munrow - Rex Karole, Johannis genite [Philippe Royllart]
- Sequentia - O clarissima mater (de sancta Maria) [H. von Bingen]
- Aurora Surgit - Exsultet (Praeconium Paschale) [Anonymous]