Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- Pierre Hamon - Je vivroie liement (Medieval Bagpipe & Percussions) [G. de Machaut]
- Sequentia - Scene 4,Szene 4 - Que es, aut unde venis [H. von Bingen]
- La Reverdie - Quan je voy [Anonymous]
- Diferencias Ensemble - Hero del alta torre, for chorus [A. Lopez]
- Sequentia - O Bonifaci [H. von Bingen]
- Studio der Fruhen Musik, Thomas Binkley - Meienzit [N. von Reuental]
- Ensemble Oni Wytars - Nevestinko oro [Tradtitional Macedonian]
- Blondel - Les tres doulx ieux du viaire ma dame [G. Binchois]
- Ensemble für frühe Musik Augsburg - Farai un vers pos mi sonelh [Anonymous]
- Sequentia - Quia felix pueritia Magnificat Quia felix pueritia [H. von Bingen]
- Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer - Nach der Senenden [Wizlâv III von Rügen]
- The Early Music Consort of London - Pax In Nomine Domini! [Anonymous]
- Studio der Frühen Musik - Aý deus se sab ora meu amigo [Anonymous]
- Ensemble Peregrina, Baptiste Romain, Kelly Landerkin, Hanna Järveläinen, Lorenza Donadini & Agnieszka BudziÅska-Bennett - Preciosa mors sanctorum (sequence) [From Kund Lavard`s
- Studio der Fruhen Musik, Thomas Binkley - Loibere risen [W. von Rugen]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Belicha [Anonymous]
- Studio der Frühen Musik - Aý deus se sab ora meu amigo [Anonymous]
- Sequentia - O Bonifaci [H. von Bingen]
- Ensemble Cosmedin - Christe qui lux es et dies `Milan, before 534` [Anonymous]
- Aurora Surgit - Pascha Nostrum (Alleluia) [Anonymous]
- Sequentia - De la grant joie d`amours [J. de Lescurel]
- Ensemble für frühe Musik Augsburg - Pos de chantar m`es pres talenz [Anonymous]
- Anonymous 4 - Ave nobilis venerabilis [Anonymous]
- Ensemble Unicorn - Sei willekommen Herre Christ [Anonymous, German c.1394]
- Jankees Braaksma - Improvisation on a Llibre Vermell tune (Medieval Organetto) [J. Braaksma]
- Sequentia - A vous, douce debonnaire [J. de Lescurel]
- The Dufay Collective, Vivien Ellis - Beyeita es Maria, CSM 420 [A. X el Sabio]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Sol oritur occasus nescius (conduit) [Anonymous]
- Jordi Savall & Hespèrion XX - Mariam Matrem Virginem [Anonymous, Llibre Vermell de Montserrat]
- Hilliard Ensemble - Anna Mater Matris Christi [J. Plummer]
- La Reverdie - Dulcis amor [Anonymous]
- Sequentia - O quam magnum miraculum est [H. von Bingen]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Tant ai mo cor ple de joya [B. de Ventadorn]
- The Newberry Consort - Ich lobe ein wip [Tannhauser]
- Sequentia - Instrumental Piece based on the D - modes of Hildegard (Elizabeth Gaver) [H. von Bingen]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Principo di Virtu [Anonymous]
- Anima Mundi Consort - Saltarello No 4 [Anonymous]
- Anonymous 4 - Sequence - O Maria virgo pia [Anonymous]
- Anonymous 4 - Sequence - Stabat iuxta Christi crucem [Anonymous]
- La Reverdie - O tu chara sciença [G. Da Firenze]
- Studio der Fruhen Musik, Thomas Binkley - De moi doleros vos chant [G. de Berneville]
- Anima Mundi Consort - Ghaetta (An Istampita) (14th cent.) [Anonymous, Italian]
- Blondel - L`homme armé - Lome arme - Lom arme (Falsum) [J. Des Prez, Anonymous, R. Morton]
- Sequentia - Abundance de felonnie [J. De Lescurel]
- The Early Music Consort of London, David Munrow - O Philippe, Franci qui generis [Anonymous]
- Sequentia - O choruscans stellarum (Antiphon) [H. von Bingen]
- Sequentia - Ave Maria, O auctrix vite (Responsorium) [H. von Bingen]
- Anonymous 4 - Sequence - Stabat iuxta Christi crucem [Anonymous]
- Sequentia - Onques maiz nus hom ne chanta [B. de Nesle]
- Sequentia - O presul vere civitatis [H. von Bingen]