Radio HearMe.fm - Medieval Period - Play history
The times shown may differ slightly from the actual broadcast times.
- The Early Music Consort of London - Pax In Nomine Domini! [Anonymous]
- Ensemble Céladon - Reis glorios [G. de Bornelh]
- Capilla Antigua de Chinchilla, José Ferrero - Quarte Estampie Royale [Anonymous French]
- Ensemble Cosmedin - Magnificat `Regensburg, after 1250` [Anonymous]
- Discantus, Brigitte Lesne - Hortus Deliciarum - Kyrie · Magne Deus (trope de kyrie) [H. von Bingen]
- Anonymous 4 - Sequence - Stabat iuxta Christi crucem [Anonymous]
- Freiburger Spielleyt - Codex Panciatichi: Io son un pellegrin [14th Century] [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - Des quando Deus sa madre [A. X el Sabio]
- Hilliard Ensemble - Tota Pulcra Es Amica Mea [Anonymous]
- Anonymous 4 - Godi Firenze [Paolo da Firenze (1390-1425)]
- Anonymous 4 - Carol: Ecce Quod Natura [Anonymous]
- Anima Mundi Consort - Ghaetta (An Istampita) (14th cent.) [Anonymous, Italian]
- Anonymous 4 - Montpellier Codex - Joliement - Quant Voi La Florete - Je Sui Joliete - Aptatur (Mo 34) [Anonymous]
- Anne Azema, Joel Cohen, Camerata Mediterranea - Lo freg temps [C.A. Fulton]
- Freiburger Spielleyt - Llibre vermell: Cuncti simus concanentes [14th Century] [Anonymous]
- La Reverdie - Quan je voy [Anonymous]
- Hilliard Ensemble - There Is No.Rose [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Meienzit [N. von Reuental]
- Sequentia - To the Holy Widows - O pater omnium `Symphonia viduarum` fol. 478v) [H. von Bingen]
- Sequentia - Comment que, pour l`eloignance [J. de Lescurel]
- Nova Schola Gregoriana, A. Turco - Introitus - Dominus Illuminatio Mea [Anonymous]
- Anonymous - Agnus dei - Omnipotens eterne [Anonymous]
- Sequentia - Comment que, pour l`eloignance [J. de Lescurel]
- Anonymous 4 - Motet - Veni mater gracie - Dou way, Robin [Anonymous]
- Studio der Frühen Musik - Aý deus se sab ora meu amigo [Anonymous]
- Hilliard Ensemble - Opotores Exquisiti [Anonymous]
- Sequentia - O felix apparitio [H. von Bingen]
- Baptiste Romain - Got in viel hohen vröuden saz (instrumental piece) [Meister Rumelant von Sachsen (2nd half of 13th c.)]
- Ensemble Perceval - Onques n`amait [R. de Fournival]
- Ensemble Céladon - Tan mâabelis [B. de Palazol]
- The Early Music Consort of London, David Munrow - Zelus familie [Anonymous]
- Clemencic Consort - A l`entrada del temps clar (Anonyme fin XIIe siecle) [Anonymous]
- Diferencias Ensemble - Benedictus [Anonymous]
- Studio der Fruhen Musik, Thomas Binkley - Nu alrest lebe ich mir werde [W. von der Vogelweide]
- Ensemble Cosmedin - Sicut cervus `St. Gallen, after 880` [Anonymous]
- The Dufay Collective - Quantas sabedes amar [M. Codax]
- Deller Consort - Sequence - Dies irae [Anonymous]
- Capilla Antigua de Chinchilla, José Ferrero - La douce voiz du louseignol sauvage [Le Châtelain de Coucy]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Palamento [Anonymous]
- Pierre Hamon - Je vivroie liement (Medieval Bagpipe & Percussions) [G. de Machaut]
- Ensemble für frühe Musik Augsburg - Non e gran cousa [Anonymous]
- Sequentia - Instrumental Piece based on the D - modes of Hildegard (Elizabeth Gaver) [H. von Bingen]
- Dufay Collective - Dance - Onmis caro [Anonymous]
- Diferencias Ensemble - Propter Veritatem, gradual [Anonymous]
- Studio der Frühen Musik & Schola Cantorum Basiliensis - Istampitta Palamento [Anonymous]
- Aurora Surgit - Exsultemus et Laetemur (Cantus Responsorialis) [Anonymous]
- Ensemble Perceval - Dame des ciux [G. le Vinier:]
- Sequentia - Prozessionsmusik der Anima [H. von Bingen]
- Stevie Wishart, Sinfonye - Palamento [Anonymous]
- Sequentia - O dulcissime amator - Symphonia of the virgins [H. von Bingen]